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篇目详细内容 |
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【篇名】 |
One Poet, Four Faces: The Invention of Tu Fu in Modern Chinese Poetry |
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【刊名】 |
Frontiers of Literary Studies in China |
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【刊名缩写】 |
Front. Lit. Stud. China |
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【ISSN】 |
1673-7318 |
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【EISSN】 |
1673-7423 |
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【DOI】 |
10.1007/s11702-011-0124-z |
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【出版社】 |
Higher Education Press and Springer-Verlag |
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【出版年】 |
2011 |
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【卷期】 |
5
卷2期 |
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【页码】 |
179-203
页,共
25
页 |
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【作者】 |
ZHANG Songjian;
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【关键词】 |
Tu Fu; contextualization; rewriting, tension; dialectics |
【摘要】 |
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As one of the greatest writers in ancient China, Tu Fu has exerted immense influence upon subsequent poets, including those living in the modern era. Combining history and text with theory, this essay intends to make an in-depth exploration of the rewriting of Tu Fu by Feng Zhi, Yang Mu, Xi Chuan, and Liu Waitong. First, I contextualize the selected four poems composed in 1941, 1974, 1989, and 2000, respectively; and then do a close reading of them. By doing so, this essay aims to observe the tensions between historical narrative and literary imagination, and between symbolic metaphor and living world, so as, ultimately, to interpret how the factors of aesthetics, politics, and metaphysics shaped the different images of Tu Fu. |
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